Sunday, December 21, 2014

Be It According to Thy Word


On this fourth Sunday in Advent many churches hear the lesson of the Annunciation, Mary's encounter with the angel Gabriel who brings news from God.  Mary famously says "yes" to God, perhaps more remarkably than we first realize for a young girl of no stature in her society, who would not have been able to make important decisions for herself.  And yet, she was chosen for this honor and agreed.

Today's hymn is by an old friend, Christopher Wordsworth, and comes from his collection The Holy Year (1865), containing appropriate hymns for each Sunday and major feast day of the church's liturgical year.  Originally published with twelve stanzas, I have brought it down to a more manageable four.

Today the angel comes, the same,
Who once of old to Daniel came;
Tidings of joy has Gabriel,
Tidings of thee, Emmanuel.

"Hal, highly favored! for of thee
Conceived and born a Child shall be,
Jesus our Savior, ever blest,
In human flesh made manifest."

"I am the servant of the Lord.
Be it according to thy word;"
With faith and forthright courage said
Mary, the highly favor
├Ęd.

May we thy living Word receive,
Bring forth to life what we believe;
O come to us, and with us dwell,
And be our souls' Emmanuel.

Christopher Wordshworth, 1864; alt.
Tune: ANGELUS (L.M.)
 
Georg Joseph, 1657

While Gabriel's appearance to Mary is probably his most famous, he had previously visited Daniel in the eighth and ninth chapters of the Book of Daniel.


P.S. - The fifteenth-century painting below is The Annunciation by Filippo Lippi.


Six (Liturgical) Years Ago: Great Gabriel sped on wings of light

Five (Liturgical) Years Ago: Away! with loyal hearts and true

Two (Liturgical) Years Ago: Praise we the Lord this day



Saturday, December 13, 2014

William Walsham How

William Walsham How was born today in 1823 in Shrewsbury. In his later years he was Bishop of Wakefield (1889-1897), and was known in his time as the 'omnibus bishop' because he was often seen riding public transportation.  Throughout his life he always identified with the poor and downtrodden, and avoided his own career advancement for many years.

He was ordained in the Church of England in 1846.  His writings included a Commentary on the Four Gospels (beginning in 1863) and a popular manual, Holy Communion: Preparation and Companion (1854)

Some of his views on religion were quite ecumenical.  As a writer of hymns, he first collaborated with the Congregational minister Thomas Baker Morell, with whom he compiled a collection titled Psalms and Hymns (1854).  Some years later he was the chair of the committee that produced Church Hymns (1871) for the Society for Promoting Christian Knowledge.  This book, for which Arthur Sullivan was the musical editor, was for many years the second-most popular hymnal in England, after Hymns Ancient and Modern.  Some years later, How would collaborate with Sullivan again when they  produced a hymn for the Diamond Jubilee of Queen Victoria which was sung throughout Great Britain on Sunday, June 20, 1897.

How wrote about fifty hymns in total, the most famous being  For all the saints.  We have seen several others here over the years (click on his tag below this entry). According to the calendar it may not quite be winter yet but this hymn seems appropriate for many parts of the country this week.

Winter reigneth o'er the land,
Freezing with its icy breath;
Dead and bare the tall trees stand;
All is chill and drear as death.


Sunny days are past and gone:
So the years go, speeding fast,
Onward ever, each new one
Swifter speeding than the last.


But the sleeping earth shall wake,
And the flowers shall burst in bloom,
And all nature rising break
Glorious from its wintry tomb.


So, Lord, after slumber blest
Comes a bright awakening,
And our flesh in hope shall rest
Of a never-fading Spring. 


William Walsham How, 1871
Tune: HALLE (7.7.7.7.)
The Psalmist, 1830

Bishop How died on August 10, 1897 while vacationing in Ireland, and was buried in Whittington, where he has been rector for nearly thirty years (1851-1879, during which time most of his hymns were written).  

How currently appears on Broadway, as a character in the revival of Bernard Pomerance's play The Elephant Man, where he is portrayed by actor Anthony Heald.  Apparently How had some contact with Joseph Merrick when he was Suffragan Bishop of Bedford in East London, which is dramatized in the play.



Six Years Ago: William Walsham How





Monday, December 1, 2014

Hymns in the News

It's a few weeks late, but I did want to mention a special event that took place recently at Goshen College, a private liberal arts institution in Indiana that is affiliated with the Mennonite Church USA.

From Friday evening, November 14 through Sunday, November 16, students and people from the larger community gathered to sing through all 658 hymns in Hymnal: A Worship Book (1992), the Mennonites' current hymnal.  The event was sponsored by the college's Hymn Club (don't you wish your college had a Hymn Club?) to raise funds for Christian Peacemaker Teams.  Five of the students made it all the way through the book, while others came and went as the weekend progressed.

Hymnwriter, pastor, and musician Adam M. L. Tice, a graduate of Goshen College, later wrote down some of his impressions from the event, which is an interesting read.

I congratulate all who planned and participated in the hymn marathon (though I am just a bit envious as well).




Five Years Ago: World AIDS Day

Sunday, November 30, 2014

Come In Our Hearts To Dwell


As you probably know, it's a new (church) year today as we observe the First Sunday in Advent.  Christmas is coming but it's not here yet, in spite of the unavoidable holiday trappings that have sprung up over the past few weeks.  Here, at least, we can slow down a bit and observe this period of waiting.

Anglican hymnwriter Claudia Frances Hernaman provides today's text.  Like most of her other hymns, this one was originally written for children.  

We are more accustomed to hearing the word "Hosanna" on Palm Sunday, but it is also appropriate at this time of year.  The First Sunday in Advent often includes lessons about the second coming of Christ (also seen in this hymn), and the promised reign of peace and justice. We often think of Hosanna as an exclamation of praise, but it is more exactly an appeal for divine help, certainly among the things we do during this time of expectation.

Hosanna! now through Advent,
With loving hearts we sing,
For Jesus Christ is coming
To be his people's King. 
Hosanna! blessed Jesus,
Come in our hearts to dwell,
And let our lives and voices
Thy praise and glory tell.


Hosanna! let this welcome
Ring out through every heart;
Draw near to us, dear Jesus,
And nevermore depart.

So when we see you coming
With angels in the sky,
Hosanna! loud Hosanna
Shall be your people's cry.

Claudia Frances Hernaman, 19th cent.; alt.
Tune: WEDLOCK (7.6.7.6.)
Traditional American melody, in The Sacred Harp, 1844

This tune from the American Sacred Harp, or shape note tradition, may never have been matched to this text before. However, like the word Hosanna, the tune is probably not what we would associate with an exclamation of praise, but rather with a plea for assistance.



Six (Liturgical) Years Ago: Lo! Christ comes with clouds descending

Five (Liturgical) Years Ago:
Jesus came, adored by angels

Four (Liturgical) Years Ago:
Lift up your heads, ye mighty gates

Three (Liturgical) Years Ago:
The King shall come when morning dawns

Two (Liturgical) Years Ago:
Once he came in blessing


One (Liturgical) Year Ago: In the Advent light, O Savior

Tuesday, November 4, 2014

James Montgomery

Hymnwriter James Montgomery was born today in 1771, in Scotland. His parents were missionaries in the Moravian church, who left young James with friends while they traveled to evangelize the West Indies, and unfortunately both died there. 

He wrote poetry from a young age (even being expelled from school once because of it), and as an adult became a newspaper editor. He wrote several long secular poems, some on political subjects. However, Montgomery correctly believed that his hymns (about 400 in total) would be most remembered out of all his work. Nearly any hymnal index you check today will still contain his hymns, several of which have already been covered here (click on his name tag below).

Sing we the song of those who stand
Around th’eternal throne,
Of every kindred, clime, and land,
A multitude unknown.

Toil, trial, suffering, still await
On earth the pilgrim throng,
Yet learn we, in our earthly state,
The Church Triumphant’s song.

“Worthy the Lamb!” we join to sing,
“Who died for souls to save;
Henceforth, O death! where is thy sting?
Thy victory, O grave?”

Then, Alleluia! power and praise
To God in Christ be given;
May all who now this anthem raise
Renew the strain in heav’n!

James Montgomery, 1824; alt.
Tune: EVAN (C.M.)
William Henry Havergal, 1846

Following his death in 1854, a monument was erected at his gravesite in Sheffield in 1861. The inscription reads in part: Wherever poetry is read, or Christian hymns sung, in the English language, 'he being dead, yet speaketh' by the genius, piety and taste embodied in his writings.

We're still singing -- both Montgomery's hymns and those of the "multitude unknown."



Six Years Ago: James Montgomery

Four Years Ago: James Montgomery

Another Birthday Today: Augustus Montague Toplady







Saturday, November 1, 2014

The Feast of All Saints


Today is All Saints' Day though many churches will celebrate it tomorrow.  My own congregation will mark it both days as today we have more than twenty people being confirmed by a visiting bishop, and tomorrow we will have our regular feast-day liturgy, to which many look forward.

Several of the hymns for this day are fairly long, so today's text might be a good alternative, especially for time-conscious worship leaders.  It still covers all the bases, praising saints both known and unknown and expressing our own aspirations to join that heavenly throng.

Eternal God, we give you praise and glory
For the bright cloud of witnesses unseen,
Whose names shine forth like stars, in sacred story,
Guiding our steps to realms of light serene;


And for your unknown saints, our praise adoring,
Fount of all sanctity, to you we yield,
Who in your treasure-house on high, are storing
Jewels who luster was, on earth, concealed.


Though, in your service, we have often slumbered,
Like the ten maidens, foolish ones and wise;
Yet with your saints, may we at last be numbered,
And at your call with burning lamps arise.


Mary Ann Thomson, 1889; alt.
Tune: EIRENE (11.10.11.10.)
Frances Ridley Havergal, 1871

The parable of the wise and foolish maidens (or bridesmaids, or virgins) is from Matthew 25:1-13, and although that lesson is most often read during Advent it also speaks to our own hopes of heaven.

Mary Ann Thomson (1834-1923) is still known today in many places as the author of O Zion, haste, thy mission high fulfilling, a missionary hymn that some might find outdated.  I recently encountered it after several  years at a funeral for an Episcopal priest, a woman who was active in the work of the church long before she ever had any hope of ordination.  The gathered congregation, including many priests of an older generation, belted it out with enthusiasm, conveying the significance that it clearly held for them.  I began to understand it in a more general way, taking from it the sense of doing the work of the gospel in the world rather than converting the world to one religion.



Six Years Ago: Who are these like stars appearing?

Five Years Ago: For all the saints

Four Years Ago: The saints of God! their conflict past

Two Years Ago: Hark! the sound of holy voices

Thursday, October 30, 2014

Christopher Wordsworth

Bishop Christopher Wordsworth (October 30, 1807, - March 20, 1885) was the son of an Anglican minister and the nephew of England's Poet Laureate William Wordsworth.  He was educated at Trinity College, Cambridge, where his father was also Master.  Successful both in scholarship and athletics, he was nicknamed "Great Christopher" at school for the many honors and awards he received.  

After taking holy orders in 1830 he remained in the education field at Cambridge and Harrow, finally becoming the vicar of the Anglican parish of Stanford-in-the-Vale-cum-Goosey in Berkshire for eighteen years.  He was appointed Bishop of Lincoln in 1869, where he remianed until his death.

He published several books in various areas of scholarship.  Most of his hymns appeared in The Holy Year (1862) a collection he edited which contains hymns for each Sunday of the church's liturgical year as well as for various feast days of the Anglican church.

 O God of heav’n and earth and sea,
To thee all praise and glory be;
How shall we show our love to thee,
Who givest all?


The golden sunshine, vernal air,
Sweet flowers and fruits, thy love declare;
Where harvests ripen, thou art there,
Who givest all.


For peaceful homes and healthful days,
For all the blessings earth displays,
We owe thee thankfulness and praise,
Who givest all.


We lose what on ourselves we spend,
We have as treasure without end
Whatever, God, to thee we lend,
Who givest all.


Whatever, God, we lend to thee,
Repaid a thousand-fold will be;
Then gladly will we give to thee
Who givest all.


To thee, from whom we all derive
Our life, our gifts, our power to give:
O may we ever with thee live,
Who givest all.


Christopher Wordsworth, 1863; alt.
Tune: OLDBRIDGE (8.8.8.4.)
Robert N. Quaile, 19th cent. 

Now this hymn is even more appropriate for the season of stewardship that many churches are currently observing.



Six Years Ago: Christopher Wordsworth 

Five Years Ago: Adelaide Anne Procter

Four Years Ago: Adelaide Anne Procter

Sunday, October 26, 2014

No Act Falls Fruitless

In this time of year many churches are emphasizing the theme of stewardship in preparation of their annual budgets.  Unsurprisingly, this is generally considered to be about money, but sometimes there will be discussion about other gifts we can bring to our communities and to the wider world.  This hymn reminds us of the smallest kinds of things that we can do every day in the stewardship of our spiritual mission.

Scorn not the slightest word or deed,
Nor deem it void of power;
There’s fruit in each wind-wafted seed
That waits its natal hour.

.
A whispered word may touch the heart,
And call it back to life:
A look of love bid fear depart,
And still discordant strife.


No act falls fruitless; none can tell
How vast its power may be,
Nor what results infolded dwell
Within it silently. 


Work on, despair not, bring your mite,
Nor care how small it be; 
God is with all that serve the right:
The holy, true, and free.

Anonymous, 1845; alt.
Tune: TALLIS' ORDINAL (C.M.)
Thomas Tallis, 1567

The 'mite' in the last stanza refers to the widow's mite, or offering, in Mark 12:41-44;  Generations of Sunday School children filled mite-boxes with small coins each year (and probably still do).

The language of this text is perhaps a bit more formal than necessary, but I still think there's some value in an older text like this, unknown though it may be..

Sunday, October 19, 2014

Claudia Frances Hernaman

Hymnwriter Claudia Frances Hernaman was born on this day in 1838, in the English village of Addlestone, the daughter of the Reverend W. H. Ibotson, an Anglican priest. She wrote for a number of church publications at a fairly young ago, turning her attention to religious poetry and hymn texts, primarily for children. She also translated several hymns from Latin. and published several collections of her work.

Her most familiar text (perhaps the only one still regularly in use), sung across many denominations, is the Lenten hymn Lord, who throughout these forty days.  Today's hymn for children was written to mark any saints' day in the church calendar.  While we have seen many hymns written for particular saints, there are others such as this that can be sung for any saint's day. October 19, for example, does not mark any well-known saints, but there are still people on the calendar.

All thy saints adore thee, Lord,
Sing thy praise with one accord;
Magnify thy holy Name,
And thy boundless love proclaim.

Saints in paradise at rest,
Saints, by earthly trials pressed,
One in thee, with one glad voice,
Evermore in thee rejoice.

Now, O God, thy praise we tell,
In this saint who served thee well,
Who was strong in Jesus' might,
Conquering evil in the fight.

Grant us, God, with equal faith,
Thee to follow until death,
And, through all eternity,
With the saints to worship thee.

Claudia Frances Hernaman, 19th cent.; alt.
Tune: ST. BEES (7.7.7.7.)
John Bacchus Dykes, 1862

This simple tune by the prolific Victorian composer John Bacchus Dykes, was apparently named for the village of St. Bees in northern England.


Thursday, October 16, 2014

Frederick Lucian Hosmer

Frederick Lucian Hosmer (October 16, 1840 - June 7, 1929), Unitarian minister, hymnwriter and hymnal editor,  was born in Framingham, Massachusetts.  He graduated from Harvard Divinity School in 1869, a generation later than Samuel Longfellow, in whose hymnodic footsteps Hosmer would travel.

Today's hymn was written by Hosmer for the January 1891 dedication of the Unity Church of Decorah, Iowa (a Unitarian congregation, building pictured below).  In the nineteenth and early twentieth century there were several different texts written by various poets to be sung to the familiar tune of the Battle Hymn of the Republic (or John Brown's Body) such as the one we have already seen by Charlotte Perkins Gilman.

From age to age they gather, all the brave of heart and strong;
In the strife of truth with error, of the right against the wrong;
I can see their gleaming banner, I can hear their triumph song;
The truth is marching on.
Glory, glory, hallelujah! Glory, glory, hallelujah!
Glory, glory, hallelujah! The truth is marching on!


The earth is circling onward out of shadow into light;
The stars keep watch above our way, however long the night;
For every martyr’s stripe there glows a bar of morning bright;
And love is marching on!
Glory, glory, hallelujah! Glory, glory, hallelujah!
Glory, glory, hallelujah! And love is marching on!


Lead on, O cross of urgent faith, with thee is victory;
Shine forth, O stars and reddening dawn, the full day yet shall be;
God's dominion quickly cometh, and with joy our eyes shall see,
Our God is marching on!
Glory, glory, hallelujah! Glory, glory, hallelujah!
Glory, glory, hallelujah! Our God is marching on!


Frederick Lucian Hosmer, 1891: alt.  
Tune: BATTLE HYMN OF THE REPUBLIC (Irregular with refrain)
William Steffe (coll.), c.1856

The theme of the coming reign of God appears in other texts by Hosmer, includimg somewe have already seen here (links below).



Six Years Ago: Frederick Lucian Hosmer

Five Years Ago: Frederick Lucian Hosmer  

Four Years Ago: Frederick lucian Hosmer